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diversity 2021 music festivals

Tracking the Diversity (Im)Balance of 2021 Music Festivals

Even though electronic dance music was born from BIPOC and LGBTQI+ communities, the current incarnation of dance music in North America is overwhelmingly white and male. This lack of diversity in dance music is no more present than on festival lineups across the United States. With the pandemic shutting down the live music industry, some members of the dance music community wondered if promoters would take this time to discover new artists and emerge from the ashes with diverse, innovative lineup offerings. As you dust off your dance shoes, let’s see how diversity on 2021 music festivals is tracking. Will 2021 welcome a shift in the festival rotation from previous years?

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Cancelled or Not? Your 2021 Festival Guide for North America

This might be music to your ears: signs of life are coming back to the live entertainment industry. The fate of live music in the United States seems to be moving in the right direction for re-opening; even for states currently in the most restrictive tiers like California. With the percentage of the population being vaccinated against SARS-CoV-2 increasing every day, promoters around the country and Europe are gearing up to bring the sound systems and festival vibes back to fans around the country. Here’s your 2021 festival guide. This guide will be updated as more news about festivals becomes available.

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ENOUGH IS ENOUGH: An Open Letter To Festival Promoters & Organizers

Dear festival promoters and organizers,

I have had it.

I have had it with deaths at music festivals. I have had it with three-hour long entry lines in 90 degree heat. I have had it with exorbitant water prices. I have had it with the countless hours stuck in parking lots waiting to leave the grounds. I have had it with festivals that still won’t provide free water refills. I have had it with inadequate medical staff. I have it with lack of proper medical equipment. I have had it with festivals that worry more about the size of their stage set-up and production than the welfare of their attendees. I have had it with promoters that care more about profits than the lives of those who spend their hard-earned earnings at a festival of their choice. I have had it.

Yesterday, the entire electronic music community (and beyond) learned of the three young souls who lost their lives at HARD Summer in Southern California. Our scene also learned, through personal accounts from tens of music fans that attended the festival over the weekend, that the medical set-up to handle emergencies was not only simply inadequate, but at best a lazy excuse for doing the minimum required without regard for the sanctity of human life

And to think that this year HARD Summer moved from the Fairplex in Pomona to the Auto Club Speedway near Fontana following the death of two people in 2015. Despite the recent lesson in history, we now know that festival organizers simply failed to go above and beyond in ensuring medical personnel was present in adequate numbers and with necessary equipment to administer assistance should the need have arisen. In an interview to the LA Times, a 22-year-old by the name Angel Ghaemi described trying to perform CPR to one of the victims to no avail, waiting for up to 15 minutes for an ambulance and defibrillator to arrive. According to eye-witness accounts, thousands of festival attendees were stuck inside the Speedway’s parking lots for up to three hours – the result of poor logistics and traffic control that ultimately slowed first-responders and possibly prevented a life from being saved.

An EMT who provided medical services for this year’s edition of EDC Las Vegas and attended HARD Summer last weekend took his thoughts to Reddit, highlighting the oversights of HARD Summer’s medical plan:

“All medics and EMTs carried a jump bag with supplies, and drugs. For instance, a drug called Versed can stop seizures (something that I saw quite often this weekend). NONE of the staff walking around had any drug boxes on them, as told to me by one of the medics who assessed a friend of mine. Also, at EDC we had 3 medical tents: Main medical, right medical, and left medical. Each place, had IV supplies, TONS of bags of fluid for us to give IVs and drugs, and other necessities. I would have people walk in to me, I would give them an IV, they feel better, and walk out and go enjoy the show. HARD ONLY had supplies at main medical, making the other medical tents virtually useless.”

Enough is enough. There is absolutely no doubt that festival-goers need to be safe with regard to drug usage, but that should never in any way take away the duty and responsibility from festival promoters in ensuring crowd and individual safety are the first priority of any event, large or small. It goes far beyond a few well-wished tweets asking people to remain hydrated during a hot weekend. It goes far beyond some free water bottles passed out to those waiting two to three hours in line to enter a festival under the scorching California sun. It goes beyond hard pat-downs and security scare-tactics at festivals gates. And it definitely goes beyond pointing the finger to attendees and drug usage, all the while raking in millions of dollars that could and should have been spent to ensure logistics and medical emergency set-up were of the highest quality through the weekend.

There is probably no single solution to save every individual life, as ultimately you can only control so much. But you, the promoters and organizers of massives, raves and festivals need to always treat safety logistics and emergency plans with the top priority they deserve, and not merely as an burdening expense.  Festival entry and exiting needs to be smooth and not the type of inhumane sardine box scenario that people have been experiencing at events such as EDC Las Vegas, HARD or the recent Time Warp in Argentina where five people lost their lives. Hydration needs to be provided for free or at a minimal cost, and never as a means of revenue. Emergency and medical locations need to be easy to find and reach, well-stocked and manned with top-tier trained personnel.

No one should ever lose their life at a festival simply because they couldn’t receive the adequate medical help they were in need of.

Enough is enough.

EDC Las Vegas Used a Series of Radio Mixes To Announce 2016 Lineup, which includes Plastikman

EDC LAS VEGAS Neon Garden

neonGarden stage at EDC Las Vegas. Photo by Electronic Vegas

As the years pass by, festivals are constantly coming up with new ways to announce their lineups.

Insomniac’s EDC Las Vegas took a new approach to unveiling their 2016 roster, even if just partially. Yesterday they used short mixes on Night Owl Radio to introduce listeners and fans to names set to perform at the Las Vegas Speedway next month.

According to Insomniac boss Pasquale Rotella, the majority of the lineup was indeed released during episode 039 of his SiriusXM radio show.

A particular useful Redditor, blondie232, put together the selection of names as released by the show. Some of the most interesting bookings from our perspective include techno pioneer Derrick May, Chicago house legend Bad Boy Bill, and of course a selection of techno, tech house and house artists scheduled to play the revered neonGarden stage. The biggest news of them all is that attendees will also be treated to a special Plastikman set during the festival. See the full tentative lineup below:

Upside Down House

Armand Van Helden
DJ Dan
Derrick May
Rell The Soundbender
Bad Boy Bill
AWE
Two Fresh
Billy Kenny
Dom Dolla

Stage 7 

Pierce Fulton
Sleepy Tom
Giraffage
Throttle
Botnek
MORTEN
Redlight
Craig Williams
Shaun Frank
Anevo
Take
KDrew
Aryay
Lookas
My Digital Enemy
Julian Hordan
Jordan Suckley
John O’Callaghan
Wuki
KRNE
Hotel Garuda
Coyote Kisses

Neon Garden

Julia Govr
Jonas Rathsman
UMEK
Bart Skills
Totally Enormous Extinct Dinosaurs
Dusky
Pan-Pot
Hot Since 82
Lane 8
J. Philip
Nicole Moudaber
Loco Dice
Maya Jane Cole

Plastikman

Wasteland 

Adrenalize
Kutski
Adaro
Da Tweekaz
Sylence
Coone
Code Black
D-Block and S-Te-Fan
Gunz for Hire
Wasted Penguinz
Darren Styles
Audiotricz
Bioweapon
Lady Faith
LNY TNZ
Angerfist
DJ Isaac
Ran-D
Crisis Era
Audiofreq
Digital Punk
Brennan Hart
Max Enforcer
Radical Redemption
TNT

Bass Pod

Bro Safari
12th Planet
Must Die!
Pogman
Eptic
Caspa
Delta Heavy
Datsik
Soloman
Prototypes
Doctor P
Armanni Reign
Ookay
LOUDPVCK
Eptic
Brillz
Troyboi
FUNTCASE
Wiwek
Snails
NGHTMRE
Zomboy
Excision
Pendulum
Culture Shock
Brookes Brothers
Matrix
Cyantific
Mefjus
Andy C
Bad Company UK
Crizzly
Mind Vortex
Dimension
Habstrakt

Cosmic Meadow

Zedd
Knife Party
Joyryde
Ephwurd
Shiba San
Studio 54
Martin Solveig
Chris Lake
Valentino Kahn
Flux Pavilion
A-Trak
Hermitude
Marshmello
GTA
SLANDER
RL Grime
Paul Van Dyk
What So Not
Swanky Tunes
Tycho

Circuit Grounds

Eric Prydz
Kaskade
Deorro
Avicii
Armin Van Buuren
Adventure Club
Above and Beyond
Aly and Fila
Ace Ventura
Afrojack
Duke Dumont
Tom and Collins
Tommy Trash
TJR
KSHMR
MAKJ
Paul Oakenfold
Gouryella
Showtek
Martin Garrix
Markus Schulz
Gareth Emery
DJ Perry Beck
Gaia
Insomniacs
Party Favor
Paul Oakenfold
Ben Nicky
Astrix
Michael Calfan

Kinetic Field 

Chainsmokers
Axwell /\ Ingrosso
Alesso
W&W
Hardwell
Dimitri Vegas and Like Mike
Oliver Heldens
Bruno Sheeran
Don Diablo
Tiesto
Seven Lions
4B
Mike Williams
Jauz
Dada Life
Danny Howard
Galantis
The Magician
Mercer**
Anna Lunoe
DJ Snake
Propaganda
Alison Wonderland
Yellow Claw
Carnage
Dash Berlin
SNBRN
Madeon

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