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Hector Moralez to Headline Warehouse Party for Sacred Grounds in Downtown Los Angeles

Hector Moralez

The thriving Los Angeles warehouse party scene is in full throttle this summer, each weekend providing an array of options to please even the most discerning of underground techno and house fans.

Coming up next week, on Saturday 20th of August, is the long awaited return of Siren, a party series hosted by Sacred Grounds LA. Headlining the night, which will take place at a yet-to-be-announced private DTLA space, is none other than Hector Moralez, whose 2013 debut album with Chris Carrier on the acclaimed French imprint Apollonia created waves throughout the international house music scene. The LP spawned a new live show, a first for Hector and a testament to his vision of constantly pushing boundaries and creating new sounds.

With support from some of the genre’s greatest, including DJ Sneak, Derrick Carter, Doc Martin, Dan Ghenacia, Apollonia, Chris Carrier, Mark Farina, Diz and DJ Heather, Moralez has gone on to release on Magnetic Recordings, Robsoul Recordings, Get Physical and Roush just to name a few. Joining him on the decks for the event that runs 10pm-6am will be Sacred Grounds’ very own G-Dubbs, Pots ‘n Kettles’ Destrada – who will be playing a special birthday set – and Fine Time’s Tahl K.

SIREN-COVER2016

Created in 1995 with the vision of bringing people of all walks of life together through the love of house music, Sacred Grounds remains one of the longest running parties in Los Angeles. In the past they have hosted artists the likes of Derrick Carter, DJ Pierre, Sonny Fodera, Phil Weeks and Drumcell just to name a few. Their 20 Year Anniversary party at Lot 613 this past September featured none other than a 2×6 set by house veterans Doc Martina and Mark Farina to a packed house.

If you’re searching for that true Los Angeles underground house vibe then look no further than Siren by Sacred Grounds. Expect a true multi-cultural and visceral experience where emphasis is on quality of music, inclusion and the total focus and respect for the culture of house music.

Early bird tickets are on sale now via Resident Advisor. Make sure you check out the official Facebook Event for more info and RSVP that you’re going!

Connect with Sacred Grounds LA: Resident Advisor | Facebook | Twitter

Connect with Hector Moralez: Resident Advisor | Facebook | Twitter | SoundCloud

Tresor Owner Looking at Packard Plant in Detroit as Possible New Techno Club

Packard Plant

The Detroit Free Press is reporting that Tresor Berlin’s owner Dimitri Hegemann is eyeing the abandoned Packard Plant in Detroit as the possible site for a new techno club.

The news, however, specifies that renovations would take a while to complete. Arte Express Detroit purchased the massive factory complex for $405,000 in late 2013, later appealing to the Detroit City Council for a tax-free plan to assist in the first phase of the much-needed renovations, which are estimated to take as long as 10-15 years to fully complete.

The building will host more than just a techno club, as the gargantuan size of its structure may suggest. The plans also include a hostel, restaurant, spa and artists studios, we well as a “recreational complex with a racing component.” In essence the development plans, which will require an estimated $400 million to $500 million to complete, aim to transform the disused plant into a sprawling hub of activities.

The techno club, which would be located on the ground floor of the seven-story building, would be personally managed and overseen by Hegemann. The news follows the 2014 revelation that the Tresor owner was looking to Detroit as the site of a new techno club venture.

Tresor’s link with Detroit is well known, the Berlin club’s history often influenced and interwoven with that of many techno artists that hail from the Motor City.

EXCLUSIVE: Time Warp U.S. Will NOT Be Coming Back in 2016

Time Warp US

Following two tumultuous yet ultimately very successful editions, we just discovered today as an exclusive for you that Germany’s Time Warp techno festival will not be returning to the U.S. this year.

In both 2014 and 2015, the minds and organizers behind Time Warp had to switch venues only weeks ahead of each event, both times ending at 39th Street Pier. When this happened, it was extensively reported that it was due to neighbor concerns for noise that ultimately translated into officials imposing a venue change to a more secluded industrial warehouse area of Brooklyn.

Read more

The Secret Garden Party Proves That Festival Drug-Testing Services Are A MUST

The Loop

This past weekend, UK’s The Secret Garden Party became the first festival to introduce Drug-Testing Services in Britain, spearheading a movement that should become an industry standard world-over.

The festival launched the service, allowing attendees to test their drugs before taking them, in coordination with Cambridgeshire council, local police and charity The Loop. The festival weekend ran from July 21st through 24th at a farm in Abbots Ripton, Cambridgeshire, drawing thousands of music fans from all over the island and beyond.

The Loop has in the past worked on similar initiatives, gaining access to drugs dropped in amnesty bins by festival-goers or confiscated by police, security or paramedics but never from attendees themselves. This past weekend’s initiative was the first of its kind, as Loop co-founder Fiona Measham told The Guardian,  “For the first time we’ve been able to offer the testing service to individual users as part of a tailored advice and information package provided by a team of experienced drugs workers. This can help people make informed choices, raising awareness of particularly dangerous substances in circulation and reducing the chance of drug-related problems occurring.”

Once the festival was over and the service’s results came in, it became apparent that it was not only welcomed with open arms by attendees, but also achieved impressive results. It is estimated that around 200 people used the tests available to them, with roughly 80 substances of concern found including super-strength ecstasy pills, several amounts of dicey MDMA and ketamine.

Secret Garden Party

Photo courtesy of The Secret Garden Party

“Around a quarter of people who brought in their drugs then asked us to dispose of them when they discovered that they had been mis-sold or were duds. We were taking dangerous substances out of circulation. Until the laws are reformed, testing and encouraging safer drug use is the least we can do. We hope this groundbreaking service becomes the norm for all such events. It is now up to others to follow, to protect the health and safety of their customers. In truth it would be negligent for them not to,” said Steve Rolles, a senior policy analyst for Transform Drug Policy Foundation whose work was influential in sealing the drug-testing deal with local authorities.

Similar initiatives have been spearheaded throughout the United States by Dance Safe and other groups, aiming to provide personal testing kits to attendees as well as making them available on festival grounds. Dance Safe’s message with regard to drug checking is a simple one, “Drug checking, also known as pill testing or adulterant screening, is a harm reduction service that helps drug users avoid ingesting unknown and potentially more dangerous adulterants found in street drugs.”

It is practically impossible to enforce a no-drug police at music festival, whereas drug testing can be immensely effective in saving lives. Unfortunately, the drug market – and the MDMA one in particular – is a highly adulterated illicit drug market, hence why drug checking services have proven to add an important layer of safety for those who may otherwise be partaking in particularly dangerous usage of drugs that have been cut up with a myriad of adulterants.

There is hope that other festivals will soon follow The Secret Garden Party’s initiative in creating a safer festival experience for all attendees. This is hugely dependent on agreements between local officials, police and councils together with festival owners, promoters and organizations such as The Loop.

Interview: The Role of Invert Music Group and Diversion in Los Angeles’ Techno Scene

Template Cover

Photo by Peter Vincent

Late last year, I took my first tour of Los Angeles’ underground scene after moving from Chicago, and proceeded to proclaim that LA’s techno scene is alive and well. Earlier in 2016, Resident Advisor cemented that statement with a brilliant Real Scenes feature that dug deep into the city’s warehouse scene and some of the various key players that keep the party going. Read more

Music Monday: Listen to Scuba’s First SCB Radio Episode

Scuba

In today’s edition of Music Monday we begin the week by diving deep into a sea of techno. British producer and Hotflush Recordings boss Paul Rose, known to most as Scuba, has deliberately pushed the envelope of his own productions and DJ sets for years now, with over a decade of music spanning several genres including garage, jacking house and bass-heavy electronica.

Recently, however, his focus has shifted toward the cavernous underground sounds of techno, revisiting the deep 4/4 rhythms he produced earlier in his career under the pseudonym SCB. His 12 Week of Techno residency at XOYO earlier this year produced a long series of sold-out shows featuring some of the best techno guests from around the world, while his Movement Detroit set in May proved once again that he has cemented his spot in today’s international techno circuit.

This recent shift has now brought Rose to launch a brand-new weekly show called SCB Radio, set to broadcast on FM Radio throughout the world and posted on his personal SoundCloud account for your listening pleasure. Introducing Episode #001, Scuba explained, “Every week I am going to be bringing you an hour of the best underground techno from around the world.”

This first episode, available for download, contains the Shed remix of Moderat’s “Running”, “Gravity” by Mind Against, Len Faki’s remix of “Another One” by LA techno producer Truncate, Robert Hood’s “Magnet” as well as two Eric Cloutier originals, “Ipseity” and “Heuristic.”

Enjoy the radio show via SoundCloud stream below:

Connect with Scuba: Online | Facebook | Twitter | Instagram | SoundCloud

Global Vibe Radio: Joel Mull

Joel Mull Press Shot

“Techno keeps us young”

These are words often spoken by esteemed Swedish DJ and producer, Joel Mull, and the sentiment transpires through his sets. Joel Mull has been at the forefront of techno culture since it’s inception, and can draw on years of creative and professional experience to create a unique and memorable atmosphere with the audience.

His discography extends through the years with numerous releases on labels such as Truesoul, Drumcode, Intec, and MOOD, all showcasing his diverse range as an artist. Recently, Joel has expanded his artistic output with the introduction of his label, Parabel. While the label is young with a handful of releases, each has shown great versatility and has been well received by fans and DJs alike.

In light of his forthcoming return to Los Angeles on July 9th, we are pleased to present the next edition of Global Vibe Radio with an exclusive two-hour recording from one of our favorite techno ambassadors. Weaving through raw hypnotism and peak main room vibes, this exclusive recording from his set in Offenbach, Germany is a great example of the techno craftsmanship soon to be heard on Joel Mull’s Summer Tour.

Information and RSVP: Incognito & WORK Present: Joel Mull

Connect with Joel Mull: Facebook | Twitter | Resident Advisor | Soundcloud

New “Berghain” Label Stole and Released Copyrighted Material Using the Berlin’s Club Identity

Berggain 1

Intellectual property, and music copyrights, are a serious thing. For an artist to spend a considerable amount of money, time and effort to produce music and then see it stolen or misappropriated is nothing short of a huge slap in the face. With the advent of the internet, it has proven incredibly hard to curtail violations of IP and copyright, especially by those who take advantage of the no-confine aspect of the world wide web to steal and misappropriate others’ work.

In the latest such episode, it appears that a new label entitled “Berghain” has released a compilation record called “Berghain Secrets” containing techno releases by the likes of Oktave’s Jeff Derringer, Derek Marin, Samuly Kemppi and Alexi Delano. At first glance, one would think that this release is courtesy of the homonymous Berlin club and Ostgut Ton, the label behind the esteemed techno institution. This however, is not the case, as Derringer has himself pointed out with a Facebook post on his artist and personal page, specifically stating, “I found that this label has nothing to do with Ostgut Ton, nothing to do with the actual Berghain, and nothing to do with any of the artists they included on this so-called record. None of us were consulted about the inclusion of our tracks (or the use of the Berghain name/identity).”

As can be seen from the screen grab below, the compilation release and individual tracks were posted for sale on Juno (although it has now been taken down), as well as Amazon and even Spotify. As of time of writing, it is still available on these last two platforms as well as some lesser-known foreign music websites. We are specifically not linking to these websites in order to curtail traffic and prevent further copyright violation.

Berghain Secrets Juno

Please be aware that whoever is behind this is not only in blatant violation of IP and copyright law with regards to the music in question, but is also illegally using Berghain’s name for monetary purposes. Do not purchase any of these tracks – we have contributed to having these taken down by reporting the situation to the websites currently hosting this release.

Connect with the REAL Ostgut Ton: Online | Facebook | Resident Advisor | Juno

Kevin Saunderson, Juan Atkins and Derrick May Are Planning a Belleville Three Tour for 2017

Belleville Three in action at Awakenings 2010, Amsterdam

Belleville Three in action at Awakenings 2010, Amsterdam

A look back at the history of techno inevitably takes us to Detroit, but also to nearby suburban Belleville High School, on the outskirts of the Motor City. It was in Belleville that Kevin Saunderson, Juan Atkins and Derrick May united to influence their generation, and countless following it, with the hypnotic sounds of techno.

While the three continued on to have successful solo careers as producers and DJs, they also performed together as a trio best known as the Belleville Three. The last show to see them billed together dates back to 2010, when they played Awakenings in Amsterdam.

In a recent interview with We Got This Covered, Saunderson opened up about a planned reunion for the three techno pioneers, “What I can say for the future is that we’re working on a tour now, for all three of us as the Belleville Three. We’re gonna try to kick it off next year, and it’s gonna start out with DJing and evolve into a much bigger thing, too.”

While nothing more is known about the project, it remains exciting to discover that the three techno icons are working on future plans together. It appears that on top of the tour hinted at by Saunderson, the Belleville Three may further pursue other endeavors in the spectrum of techno. Could it be that recording studio time is on the cards in their imminent future? Only time will tell.

A Look Inside Moodymann’s Detroit Home: A Tribute to Prince

Moodymann. Photo by Matthew Reeves

Moodymann. Photo by Matthew Reeves

Detroit. The birthplace of Techno yes, but also the home of Motown and a selection of top-tier artists that symbolize a wide array of genres including Jazz, Gospel, Hip-hop, Rap, Rock and roll and of course Pop.

During the city’s second wave of emerging Techno artists, Kenny Dixon Jr., also known as Moodymann, represented an enigmatic figure that always strived to put music ahead of his own persona. He famously refused to give an interview for the first ten years of his career, despite becoming one of the genre’s most respected artist following the release of his ’97 debut Silentintroduction LP on Carl Craig’s Planet E Communications imprint.

During this past Movement weekend, Thump managed to gain access to one of Moodymann’s residencies in the Motor City. Located across from the Submerge record store, the characteristically Detroit three-story brick house turned out to be a living homage to the late Prince Rogers Nelson.

When asked about Prince’s biggest impact on his life, the Detroit producer quickly replied, “Girls. Women. I didn’t have to have no game, I just had to put a Prince record on. It was easy. I didn’t have to say nothing. They’ll come to the car where I’m playing it loud, and they’ll be like, ‘Can you turn that up?’ And I’ll be like, ‘No, you turn it up.'”

The following pictures tell the full story of Prince’s impact on Dixon as an individual, but also on his music, and by default on Techno as well.

Photo by Luis Nieto Dickens

Photo by Luis Nieto Dickens

 

Photo by Luis Nieto Dickens

Photo by Luis Nieto Dickens

 

Photo by Luis Nieto Dickens

Photo by Luis Nieto Dickens

 

Photo by Luis Nieto Dickens

Photo by Luis Nieto Dickens

 

Photo by Michelle Lhooq

Photo by Michelle Lhooq

 

Photo by Luis Nieto Dickens

Photo by Luis Nieto Dickens

Connect with Moodymann: Facebook | Twitter | Resident Advisor

 

Source: Thump