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Subradeon: Our 5 Detroit Influences
Subradeon return to their self-titled imprint, Subradeon Records with three uplifting cuts entitled Sounds Of Our Mothersâ Mothers including a remix from Exploration boss Johannes Volk.
Italian born, now Berlin-based duo, Subradeon have been building a reputation for themselves honouring a techno sound that combines the soul of Motown with elements of hip hop, jazz, and funk. After releases on Rekids and Motech Records, the duo maintains their vibrant productions with the second release on Subradeon Records. Germanyâs Johannes Volk who is known for his releases Sistrum, Axis and his Exploration imprint jumps on remix duties following his recent release on Cocoon Recordings.
Not only did we get the opportunity of premiering a track from Subreadeon’s latest EP, which you can stream below, but we asked the Italian duo to share 5 Detroit Techno tracks that have influenced their love for techno, and their sound.
Enjoy their choices below!
Premiere: Subradeon Return To Their Self-Titled Imprint With “Sounds Of Our Mothersâ Mothers”
Subradeon return to their self-titled imprint, Subradeon Records with three uplifting cuts entitled Sounds Of Our Mothersâ Mothers including a remix from Exploration boss Johannes Volk.
Italian born, now Berlin-based duo Subradeon have been building a reputation for themselves honouring a techno sound that combines the soul of Motown with elements of hip hop, jazz, and funk. After releases on Rekids and Motech Records, the duo maintain their vibrant productions with the second release on Subradeon Records.
6AM Guest Mix: Subradeon
This week’s Guest Mix comes from an Italian duo called Subradeon, comprised of Salvatore Iannotta and Giuseppe Salone.
They aren’t simply two friends producing and playing Detroit techno, Subradeon is a musical mission, started more than ten years ago in southern Italy, well known as a territory rich in artistic and musical vanguards, with the intention to continue and be an active part of that message born in the Detroitâs streets in the middle 80âs: âlive the musicâ as a universal message, as the most important thing, as a cultural movement.
