The 33rd release on JourneyDeep Records is a 3 track EP from English DJ and producer, Hair Band Drop-Out. A veteran producer of over 15 years, HBDO cites some of the world’s most iconic acts, Orbital, Underworld, and John Digweed included, as his biggest inspirations, with the latter being the primary source of influence for the Psychedelic Therapy EP, from which we are premiering the title track!
PWCCA has been making waves in the proper techno community lately.
Coming from Madrid, this veteran producer has been releasing under diverse aliases since a long time and has been in the tracklists of the most innovative DJs around on a constant basis. For this digital release on Oscar Mulero’s Warm Up Recordings, he provides an extended player comprising of 9 cuts ranging from cosmic landscapes to bleepy and space inspired techno, also including proper rythmic tools.
After their brilliant collaboration on ‘Let Go’ late last year, Eddie Amador and MicFreak combine their talent once again, delivering a red-hot slab of House heat we are premiering today, aptly titled, ‘Connection’. Destined to unite the dance floor, ‘Connection’ celebrates all things affinity, loaded with a fantastic feel-good vocal hook, set to a killer groove that’s charged with uplifting piano riffs, choppy vocal samples, warm bass stabs and kick-ass drums. DJ Spen maxes out the underground vibes, stripping things down on a slammin’ ‘Disconeccted Dub’. After one listen, you will see why ‘Connection’ is an undeniable house track destined to stand the test of time!
Tripeo and Cadans collaborate to release on Tripeo’s self-titled imprint with three original cuts entitled Non Perfect Drone Replication.
The Awesome Soundwave label will start 2020 as it means to go on: with an essential new album from Honeysmack that once again raises the bar for Carl Cox’s influential label. Honeysmack Releases “Post Acid” on February 28th.
Recorded live over two days in Coxy’s El Rancho studio, the album is an amalgamation of expansive modular sounds, the likes of which were carefully edited into what you hear now. This truly is an album that bares all the hallmarks of a producer who is currently working on a PHD in acid techno and improved electronic music.
With the funk-infused ‘Era Of A Niche Hero’ setting the scene in December, all eyes are on Fat! Records’ latest signing – a London-based producer and multi-instrumentalist by the name of Happy Cat Jay whose forthcoming ‘Moods EP’ looks set to further cement the label’s proven track record in spotting the next big thing.
Arriving on February 28th 2020, the genre-blending EP features 5 original tracks alongside a remix by bass-aficionado DE$iGNATED, and was preceded by the EP’s second single ‘Up Early’ on January 24th.
In a time where music is disposable Dissolt has created an album that will be here for a long time.
Hell Has No Fury the ‘cult’ opening to the world of Dissolt. Dark and abrasive, complimented with light and serene moments the music will to take you through the fall range of human experience. This album was created from a growth period. What you can hear is real authentic emotions wrapped in an entertaining sonic world.
The ‘cult’ first album in the trilogy by Dissolt. An artist known for taking risks and pushing boundaries. Standing out amongst the sea of releases made to fit in.
Widely regarded as one of the most exciting young producers to emerge onto the US techno circuit over the past few years, New Mexico native Dustin Holtsberry now makes his eagerly anticipated return to POPOF’s FORM Music with his formidable three-track extended player, ‘Shadows’.
‘On The Edge’ is a moody piece of melodic techno making use exclusively of analogue synthesis, courtesy of Roland’s brilliant SE-02. Its pounding bassline groove and atmospheric break give way to a percussive, dynamic climax.
“On the edge is a track that’s super dear to me, as I fully submit my Saad Ayub brand to the world of techno,” says Ayub. “The track makes me feel like I’m at the edge of the world, and could literally just hop into another dimension, which for me is what good techno does.” – Saad Ayub Read more
