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Concrete Records

Concrete Records Announces New VA Series

Curating the sixth EP in their limited vinyl only series, Concrete Records are a collective from Italy and are introducing a new package bursting with European talent. The label’s back catalogue has already featured music by renowned artists like Voices From the Lake (Donato Dozzy & Neel), Minilogue (of Sven VĂ€th’s Cocoon), Svreca (owner of Semantica) and Echologist also known as Brendon Moeller (of Ostgut Ton) to name only a few. Read more

Stroboscopic Artefacts Releases ‘X – Ten Years Of Artefacts’ V/A with Tracks from Alessandro Adriani, Rrose, Denise Rabe, Zeitgeber (Speedy J & Lucy) & more

X – Ten Years Of Artefacts, a 13-track album on Stroboscopic Artefacts curated by label-boss Lucy, is out today.

The compilation celebrates ten years of his label by boldly confirming its raison d’ĂȘtre: a continual redefinition of modern techno.

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Lucy & Rrose Announce Collaboration as The Lotus Eaters, Debut Album on Stroboscopic Artefacts and Debut Gig at ADE 2018

Lucy and Rrose join forces for a brand-new collaboration under The Lotus Eaters moniker, complete with a debut album released on Stroboscopic Artefacts entitled Desatura.

Lucy and Rrose have established themselves separately as techno artists with an experimental approach through their own labels (Stroboscopic Artefacts and Eaux, respectively). They immediately connected and started to work together, first with remixes and later making music together in the studio.

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Stroboscopic Artefacts launches 10″ vinyl series Totem with Lucy’s upcoming EP

Stroboscopic Artefacts is set to release an innovative concept with a 10″ transparent vinyl album series called Totem.

In a release, Stroboscopic Artefacts described the Totem series having a “forward-leaning edge”, with each release having a “subtly divergent take on the aesthetic space defined by techno and club culture.” Totem will continue to build on the ideas previously established by Stroboscopic Artefacts: the relation between sound and material object, spatiotemporality, and the musical architecture.

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