Laser beams illuminate a darkened restaurant turned dance hall in Cairo as revellers move to thumping beats from female DJs — part of a generation of women shaking up Egypt’s underground electronic music scene. Read more
Inclusivity is what dance music is all about. Read more
A brand new directory, namely the first of its kind, has been created for women, trans, and non-binary musicians in electronic music. Titled In The Key of She, the new directory aims to bring forward female and non-binary artists and help people discover new music from a range of both up-and-coming and established musicians.
Ape-X, a music events firm and electronic label have been accused of ‘discrimination’ after attempting to charge ‘straight white males’ more for tickets. In contrast, the company offered discount tickets for non-males, ethnic minorities, people from the LGBTQ+ community, and those on ‘low income’ for a techno music event in Newcastle.
TOKiMONSTA isn’t afraid to get loud. Urging for greater inclusivity, she’s amplifying the power of her voice via social media to make noise. “I was never one to state my opinions on society outwardly. It wasnât what I thought musicians should do,” explains Jennifer Lee, artist’s real name. “However, times are different now.” In an e-mail interview, Lee talks about the music industry’s shared responsibility in elevating artists from different backgrounds and highlights a series of “checks and balances” within the ecosystem. She also dishes on French artist Dombresky’s remix of her song “Come and Go.”
It’s Domestic Violence Awareness month and while the media’s focus has been on sexual predator and recognized American film producer, Harvey Weinstein, people on Facebook and Twitter have been sharing personal sexual assault stories with the hashtag #MeToo.
Unfortunately, the festival culture has contributed to this problem. In 2015, a Coachella festival attendee proudly wore an âEat, Sleep, Rape, Repeatâ shirt while he posed with a grin and the peace sign. In 2017, one rape was reported at Glastonbury festival in the UK. The BrĂ„valla Festival in Sweden reported four rapes and 23 sexual assaults over the course of the four-day event and was consequently canceled for 2018. These are a few of the recurring tragedies in our community.
To confront what happened at BrÄvalla Festival, a Swedish comedian and radio host, Emma Knyckare, proposed an idea on Twitter:
Vad tror ni om att vi styr ihop en asfet festival dit bara icke mÀn Àr vÀlkomna som vi kör tills ALLA mÀn har lÀrt sig hur en beter sig?
â Emma Knyckare (@Knyckare) July 2, 2017
“What do you think about putting together a really cool festival where only non-men are welcome that we’ll run until ALL men have learned how to behave themselves?”
The idea spread like wildfire and Knyckare created a Kickstarter to crowdfund Statement Festival, “the worldâs most awesome music festival – without cis-men” where her goal is to, â…create a safe space for the people who want to attend a festival without feeling scared for their personal safety.â The fund surpassed its goal of 500,000 Swedish Krona, which is approximately $61,630, by 3,300 people who funded the campaign.
Regrettably, this voluntary gender segregation implies that men and women cannot coexist peacefully. It reminds me of the commonplace gender segregation that occurs in places like India and the Middle East.
Besides creating a safe space during the festival, the rash decision to bar cis-men doesnât address the root of the problem: sexual assault education.
According to a 2013 report by the United Nations, rapes and sexual assaults are a direct result of sexual entitlement, seeking of entertainment (who knew) and as a punishment. These are the areas where men need to be educated.
Take the hashtag #MeToo. It was extremely powerful for men to see the amount of sexual harassment and assault stories that it caused several of themâin my very own communityâto self-analyze and really look at what is happening around them.
Men do not need to be told that the only way women can be kept safe is through segregation. They need to understand the consequences of their actions from an early age; they need to be taught about consent by their guardians, parents, teachers, and peers. They need to be taught the importance of basic human decency, respect, and love. And most importantly, they should lead by example to influence their male counterparts.
While Statement Festival may solve the assault issue in the short-term, it wonât help solve anything long-term. It reinforces the ideas that men and women cannot live in unison, and that all men are sexual offenders, even if they arenât. It does not present innocent men the opportunity to teach their male counterparts how to respect women and how to be conscious of their actions. After all, donât we want to be as inclusive as we aim to be included and treated fairly?
