Ellen Alien set to release latest part of ‘We Are Not Alone’ Compilation
Berlin techno DJ and producer Ellen Allien and her collective We Are Not Alone are set to drop the sixth part of the second ‘We Are Not Alone’ series. Read more
Berlin techno DJ and producer Ellen Allien and her collective We Are Not Alone are set to drop the sixth part of the second ‘We Are Not Alone’ series. Read more
A new iteration of Love Parade, Rave The Planet, went ahead in Berlin this past weekend. The event is described as a “techno-leaning parade similar to the iconic event which last went ahead some 15 years ago.”
In a new chapter for Love Parade, the Berlin-based event went through July 9 – 10 featuring 150 different DJs and several afterparties at venues across the city including Anomalie Art Club and Ost Hafen. Traveling seven kilometers across the capital, the parade kicked off in West Berlin’s Kurfürstendamm to the Großer Stern monument in Tiergarten.
Berlin-based DJ Behind Bars presents his My Body EP — an intense techno monolith consisting of two sweaty and darkly layered productions. The EP is charged with pulsating energy that is on the verge of meltdown. My Body showcases subtle rave character and driving rhythms tgat take you on a dark trip through the night alongside unleashed and untold strength.
This time, Behind gets candid about finding freedom through techno, how it has shaped him today, and what to look forward to regarding his projects for the rest of the year.
Record store owners and distributing labels in Germany may run into problems in July when the cost of shipping vinyl-sized parcels will be amended by DHL.
From July 1, shipping costs are set to change impacting the sales of 12-inch records, which could ultimately put many German stores out of business.
Right now, posting one or two records from Germany to the rest of the world — including countries as far as Australia — costs just €5, which is subject to reach as high as €19.89 with tracking come next month. Sending a record to the UK could cost as much as €16.70.
The cheapest option left, record store owners argue, is Päckchen M International, which could still cost two to three times the amount of Warenpost.
“Currently, I can send two 12″ records to the US, Canada, or even Australia for €5. From July, that same parcel will cost €20 to ship,” says Andy Vaz, owner of German record shop Yore Store, chatting to Mixmag.
“They changed the format size of the parcel in a way that vinyl records wont fit for that cheapest rate – we’re missing about 5cm. There’s no way people will want to pay €20 for shipping on a €10 or €15 record. That’s going to affect all German labels of all genres, everyone who sends records via Bandcamp or Discogs, you name it,” he adds.
Vaz, along with other record store owners in Germany whose lifeline banks on this change, have now created a petition asking for the government to recognise what could be incredibly damaging for the German vinyl industry.
“I’ve been doing this since 1998, and the US is our strongest market for selling records. No record shops will be able to survive without that, because we can’t survive just from walk-in customers,” Vaz adds.
Find out how to help, and sign the petition here.
Originally reported by MixMag.
Based in Poland, DEAS (aka Karol Mozgawa) is a DJ and producer who has a style of blending various types of techno. Creating music without boundaries, his expressive take on techno features a perfect balance of psychedelia, raw, deep, melodic, and heavy elements. As DEAS continues to hold two residencies at Smolna and Tama, top-notch venues in Poland, he is not stopping at becoming an unforgettable DJ and producer in Europe, but internationally as well.
Your favorite artists inspire you, but who inspires them? INSPIRED asks leading names in house and techno to share people who’ve inspired them and why. This installment of INSPIRED welcomes Kaiserdisco, a DJ-duo based in Hamburg, Germany who not only give us their sources of inspiration but were also gracious enough provide their top 5 ways to deal with writer’s block! Read more
The 90s were a special time in rave history. Though some may describe the period as the glory days of the rave scene, all can agree the 90s laid the foundation for the rise of techno music and its various sub-genres. This is your guide to 90s Techno, covering the history, artists, and labels that have shaped the rave scene we know and love today.
Early 90s techno music was influenced by experimental music being crafted in Europe in the late 80s. This sound migrated to North America and soon dominated underground dance parties or “raves.” In the United States, raves often took place at illegal and alternative venues like warehouses, sound stages, roller-skating rinks, beaches, deserts, fields and mountains. The 90s rave scene reflected the 60s counterculture movement in many aspects. Whether escaping realities or creating new and better ones, both cultural movements embraced music as means of radical acceptance and community-building.
Read Next: #TBT Series: The 1990s Rave Heydays
House music originated in Chicago, and Techno was birthed in Detroit during the early 90s. Techno emerged in response to a bleak urban crisis and economic recession facing Detroiters in the 90s. Techno pioneers invented a new kind of sound, one that challenged the environment that surrounded them and inspired others to redefine themselves. Techno was (and perhaps still is) the sound of resistance.
In New York City, venue owners took advantage of the emerging soundscape. Super clubs in New York City like Twilo, Limelight and the Tunnel fueled the rave culture’s expansion into the mainstream. On the other side of the United States, the rave scene found its epicenter in Los Angeles. For example, Electric Daisy Carnival began in 1997 as a warehouse party in Los Angeles. Movie soundtracks, video games, candy raver fashion, rave fliers, and print coverage all popularized Techno and its various offshoots on the West Coast.
While the United States fostered pure Techno and an acid house and dance community, the epicenter for Techno in Europe was fast becoming Berlin, Germany. Detroit Techno was imported into Berlin via figures such as “Dimitri” Hegemann, the founder of legendary club Tresor. After East and West Berlin became reunited after the fall of the Berlin Wall in 1989, the city became one large and adventurous playground. For Berliners, Techno was the sound of new beginnings.
It was during the 90s that Techno proliferated and evolved to such a degree that it had birthed countless other sub-genres. For instance, the Netherlands created gabber, while Goa, India became the spiritual epicenter of trance music. In the United Kingdom, “intelligent dance music” or IDM was being pioneered by figures such as Aphex Twin.
Read Next: Is Modern Techno Resurrecting 90s Trance?
The artists and DJs of the 90s Techno scene are considered today’s legends. Think Juan Atkins, Jeff Mills, Carl Cox, Robert Hood, Monika Kruse, and Sven Väth. Although there are many others, here’s a few names that’ll get you started down the rabbit hole.
Plastikman is the alias of Richie Hawtin. As the 90s dawned, Plastikman helmed some of the most intense, mind-bending parties underground electronic music has ever known. They took place in and around Detroit, as well as Hawtin’s home town of Windsor, Ontario. The parties were based on those Hawtin experienced as a teenager at Detroit’s legendary Music Institute; a black sweatbox of a room, a single strobe light, and the phattest sound system.
K-Hand, aka Kelli Hand, was one of few female Techno artists of the 90s. In 2017, K-Hand was officially recognized as “The First Lady of Detroit.” She was awarded the city’s Testimonial Resolution certificate which mentioned her notable “skills within a male-dominated industry.”
Read Next: Remembering Detroit Techno & House Legend K-Hand
Basic Channel consisted of German techno artists Moritz von Oswald andMark Ernestus. The pair reduced Techno to to its basic elements and melded it with reggae production techniques. The free flow of static textures, echo chambers, swirling dub clouds, and bass drums eventually characterized an entirely new genre: dub techno.
It’s difficult to choose the best 90s Techno songs or ones that were the most popular 90s Techno songs. There are many, many tracks that could be included on those lists. Here’s a few 90s Techno songs that characterized the sound of the time.
Read Next: 10 House & Techno Tracks Turning 30 in 2021
Dr. Motte organized the first acid house parties in Berlin. Most notably, he was the inventor and founder of the Loveparade there, too. Dr. Motte’s “Der Klang Der Familie” on Tresor Records became one of the most important German releases because it helped leverage Berlin’s electronic music to international success.
“Go” is a single by American Techno artist Moby. “Go” was the B-side to Moby’s debut single “Mobility in 1990 on Instict Records. The track put Moby on the map, and to this day remains a timeless dance floor staple.
“Jaguar” was released on Detroit’s Underground Resistance in 1999. The debut came from The Aztec Mystic, better known today as DJ Rolando. After the track was released, it hypnotized the world.
The 90s were an exceptional time for Techno music. In less than ten years, Techno had been invented, distributed around the world, and developed into numerous other sub-genres. For these reasons as well as others, 90s Techno should have a special place in every raver’s heart.
Read Next: A Beginner’s Techno Music Guide: Brief History, Artists & Clubs
Eleven-member marching band MEUTE from Hamburg Germany will appear this year at Coachella on Friday, April 15th and 22nd. In addition, they will have a show in Los Angeles on Monday, April 18th, 2022.
Operating out of the European techno Mecca that is Berlin, Deorbiting – alias Christian Schilgen, Christoph Deckert, and now joined by their Austrian drummer Bernhard aren’t your usual electronic bass-wavers.
Veering off the mainstream genre-bound electronics, the German group has been forging their own musical concept with little to no regard for “scenes” and “trends”.
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