Techno extraordinaire Rudosa returns to the studio to deliver a damaging edit of Frank Biazziâs âTransitionâ, marking his debut contribution to Christian Smithâs Tronic imprint. Expected to follow in the footsteps of the Mancunianâs recent hit âDominanceâ, the cut sets a precedent for yet more original and remix projects in the coming months.
Techno in recent years has had a resurgence due to the success of big labels like Drumcode, but other longstanding imprints such as Carl Coxâs Intec have also been front leaders of the genres surge in popularity, allowing it to be accessible by more mainstream crowds.
In the ’90s and early ’00s was arguably the last time techno spilled into the mainstream with events in places like Ibiza, and in those days it was usually 140 BPM with abrasive hi-hats and raw unpolished sounds.
The modern take on big room techno is slower and more polished, but itâs no less exciting with many a long-serving producer making an overdue return to the spotlight.
