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Live Performances of Rock, Country, Rap and Electronic Music Do Not Count as “Music” or “Culture” According to Cook County

EvilOlive

In an official hearing today, a Cook County official reinforced the county’s controversial position on what they consider “music” and “culture” by stating that live performances of rock, country, rap and electronic music do not fall under those two categories.

While the position seems shocking to say the least, it comes as an attempt by Cook County – which containing the City of Chicago is the second-most populous county in the United States after Los Angeles County, California – to enforce small venues to pay a 3% amusement tax on all ticket sales and cover charges. While at first the position by officials arguing the case was that small venues featuring DJs and electronic music were not exempt by that tax, Anita Richardson, the hearing officer appointed by the county inferred today that only venues that booked small chamber orchestras, symphony orchestras, or operas should be entitled to the tax break. In her opinion, venues that play other music should have to pay up.

“Rap music, country music, and rock ‘n’ roll” do not fall under the purview of “fine art,” she stated.

The county is going after several of Chicago’s small venues such as EvilOlive and Beauty Bar, who both feature electronic lineups weekly, in an attempt to collect back taxes of up to $200,000 including interests and penalties for the past six years. The specific county code in question states that smaller venues with capacity of 750 or less are not liable to pay the tax as  long as any cover charges or admission fees are for “in person, live theatrical, live musical or other live cultural performances.” The code goes on to describe and define live music and live cultural performances as “any of the disciplines which are commonly regarded as part of the fine arts, such as live theater, music, opera, drama, comedy, ballet, modern or traditional dance, and book or poetry readings.”

Cook County Commissioner John Fritchey says the county’s language “harkens back to the days of the 1950s when rock ‘n’ roll wasn’t considered music.” He adds, “No pun intended, but I think the county is being tone deaf to recognize opera as a form of cultural art but not Skrillex.”

At a hearing scheduled for October 17 the two aforementioned Chicago establishments will present evidence, including live music and testimony from a musicologist, in an effort to budge the hearing officer from her opinion regarding the cultural value of DJ performances. It appears that both venues are simply test cases for the country, a first attempt to see if it can wring any more tax revenue from the city’s live-music industry.

It seems far-fetched that a county that represents the city which gave birth to house music and has had both a street and day named after Frankie Knuckles and his legacy of house is failing to recognize the cultural and artistic value of not only electronic music, but other such diverse genres as rap, rock and country.

H/T: Chicago Reader

Opinion: America, This Weekend Go Out and Dance

crowd-1056764_1920On a week where racial tension, violence and hate divides the United States, music lovers on all four corners of this beautiful country can find solace, refuge and warmth through the musical rendition of their favorite artists.

This has become a weekend where unity matters more than ever. Although we may be afflicted by fear, worry and confusion, there is arguably nothing more unifying, liberating and American than sharing dance floors with people of all walks of life, gender, sexual orientation, race, ethnicity or socio-economic background.

Whether you live in a metropolis the size of New York City, Chicago or Los Angeles, a seemingly sleepy pocket of American suburbia or surrounded by the majestic diverse nature that is so unique to this country, I encourage every member of the electronic music community to turn up the volume and unite under a common umbrella of acceptance, love and solidarity. Visit your local club, go to a show, attend a festival or spend the early hours of Sunday morning in a dark warehouse listening to techno. And if none of those are options, invite friends over and throw your own party – be your own DJ.

Sharing music is sharing love. At a point where almost every tweet, Facebook post and meme seems to divide, perhaps the gift of music can help bring people together.

America, this weekend please go out and dance.

Relive The Magic of Electric Island Festival Guam 2016 [Photos]

 

Guam is truly a paradise island, and its people are as welcoming, fun, energetic and loving as any you can find anywhere on our beautiful world. Less than two weeks ago, the people of Guam took part in the fourth annual installment of Electric Island Festival, a boutique electronic music event that for the first time in its history expanded to two days and took place at the Guam International Raceway.

This year’s EIF continued with its tradition of highlighting top-tier International talent from as far as Europe, mainland United States and nearby Asia, as well as showcasing several of Guam’s own home-bred artists. It did so while underscoring several of dance music’s most popular genres, including EDM, bass, house, techno, deep house and more, as well as welcoming the return of WOMB Tokyo as hosts of a dedicated stage.

EIF Lineup

The people of Guam responded en mass, with thousands attending the two-day celebration and joining the hundreds that traveled from afar to visit the island and attend EIF 2016. The sheer number of off-island visitors once again showcased the island of Guam’s power as a true destination for Music Tourism.

With EIF 2016 now behind, organizers are already looking forward to the 5 Year Anniversary celebration in store for next year! Ensure you follow EIF on Facebook, Twitter and Instagram for updates on the upcoming 2017 edition.

All photos by Skinny, Gareth Cheung and Andre Gadia.

Nightlife Matters: A Call for Governments To Respect Our Scene As Part Of Local Culture

NightlifeMatters

Electronic music is an indelible part of the world’s nightlife scene. Our music represents the soundtrack and backbone of an industry that is alive in all four corners of the globe, and almost every country in between.

Yet, it is only in a select amount of countries that nightlife is truly respected as part of culture, as an expression of art and freedom. In the Netherlands and Germany, in particular, legislators, politicians and officials recognize nightlife and electronic music as a valuable piece of both the local and national economy. The appreciation for our industry goes a step further in cities like Amsterdam or Berlin, where those participating in nightlife are not only respected but celebrated as part of a movement that promotes tolerance, art and freedom.

Unfortunately, this isn’t the case in other countries. Australia, and in particular Sydney’s New South Wales state , has been facing uphill battles with local officials who have gone so far as to impose strict lockout laws effectively curbing the existence of nightlife in some of the country’s most populous cities. England is facing similar problems, in no small part due to gentrification and the significant change with which venues, nightclubs and bars interact with local neighborhoods and communities.

In the United Kingdom, the NTIA (Night Time Industries Association) has now launched a #NightlifeMatters campaign to increase awareness on the importance of our scene as part of local art and culture. The aim is to educate and change the viewpoints of the many on the other side of an irrational “us-versus-them” argument which constantly pits nightlife as unethical, quasi-criminal, uncultured and even dangerous.

Naturally, the campaign is backed by a great selection of high-profile artists the likes of Carl Cox, Eats Everything, Jackmaster, and Sasha, as well as venues and promotion companies. The always outspoken and active Seth Troxler has personally weighed in via Clash Music, underscoring just how important this message is for the longevity and prosperity of nightlife as we’ve all come to love it. The movement encourages everyone to sign their petition, and to tweet using the hashtag #nightlifematters to join and support this vital campaign.

“There are always multiple factors to consider when it comes to club closures. It’s hard to keep a business like that going for 10 years, just look at places like Plastic People or Dance Tunnel, even when a club is successful it’s hard work to keep it alive. But who’s responsible for these closures? Is it developers? Local councils? Licensing boards? Has club culture changed fundamentally, are kids today too boring? Or is it the government?

 

Of course it’s a combination of all those things but there’s one obvious way for us to change it. Vote.

We’re living in a time where the government likes to create media sensations around one topic or another. It’s not about them trying to save lives or change culture, it’s about who can keep themselves in the spotlight for the longest. Decisions are being made by people who are too old or too out of touch with what’s happening in the modern world. And it’s not just in the UK, it’s part of a global problem.

In places like Germany and Holland, local officials accept electronic music and nightlife as culturally valuable. They look at nightlife in the same way they do ballet. It’s not seen as something violent or criminal, it’s celebrated. They recognise that many of the people taking part in night culture are tolerant of different races, different genders and different sexualities. They recognise that nightlife has significant economic benefits, that it has the same capacity as high-art, fiction, food or film to inspire and influence a generation. In the UK and US, by contrast, there’s a total disconnect between night culture and ‘culture proper’. Legislators don’t understand who we are or what our value is, so there’s no desire to protect it.

If we’re to change these attitudes, we can’t just talk about them, we need to have more young people start participating. If we want to change perceptions about club culture we need to act. Part of the reason I launched Acid Future, part of the reason I’ve spent my life playing underground music, is to try and keep the dream alive, to try and fight the fight by educating people about electronic music.

Seth Troxler Music Matters

#NIGHTLIFEMATTERS is addressing the same issues, albeit from a different angle. They’re going direct to policy makers, showing them who we are, showing them that we’re valuable, showing them that we aren’t the stereotype that they think we are or that we might have been in the 90s. Their giving young people a platform to make their voice heard, in just a few clicks on nightlifematters.com you can email local councillors and MPs to let them know why nightlife is important to you.

It’s a first step but it’s only the beginning. We’re at a point where the old structures of society are losing their grip, there’s a huge opportunity for young people to change both the government and its policies for the better. Take for example this guy Will Thompson, he used to work for our management company, he was incredibly brilliant, very cool. He quit so he could go back to school and start working in politics because he wanted to change the situation he found himself in. He realised that the only way to really change things is to get involved.

The only reason these conservative councillors get in is because the only people who vote in local elections are 65 year old tea ladies, if you had everyone in Shoreditch get involved in the political process you’d be able to protect bars and clubs in the area.

It’s not hard, all we need to do is participate. That’s how we’re going to protect our night life. That’s how we’re going to save club culture.”

Source: Clash Music

Mayor of Buenos Aires Bans Electronic Music Festivals Following Time Warp Fatalities

Time Warp Argentina 2015. Photo by Margarita Fracman

Time Warp Argentina 2015. Photo by Margarita Fracman

On April 15th, reports began to arise that people had died following drug usage at Time Warp in Buenos Aires, Argentina. According to the reports, several other people had been rushed to the hospital as a result of complications caused by both drug overdose and festival conditions that included over-crowding and lack of easy access to water or other means of hydration.

Today the The Guardian reports that Buenos Aires mayor, Horacio Rodriguez Larreta, has put a temporary ban on all major electronic music festivals until new city legislature is passed to combat drug usage at these events.

TimeWarpARTicket

Five people have already been arrested following the events of that fateful weekend, where attendees reported being offered designer drugs including ecstasy pills, doses of LSD, marijuana, poppers and cocaine as well as suffering from lack of ventilation and an oversold festival that meant hour-long lines for water. Due to the incidents on the first day of the festival the second night was promptly canceled.

Time Warp issued the following statement via Facebook on the 21st of April. No further statement has been released since:

“We are dismayed and deeply saddened by the death of five young people at Time Warp Buenos Aires. Our thoughts are with the relatives of the deceased and the five visitors who are still under medical treatment. We pray for their quick recovery.

The German Time Warp companies, “Planwerk Events GmbH & Co KG“ and “cosmopop GmbH“, were not in any way involved in the local organization and planning of the festival. We are listening to your complaints. At the moment we are trying to get a clear picture.

The organizer of the event will refund the money for the second day, corresponding to the value of your ticket. Please email info@multiticket.com.ar to obtain your refund.

We will keep you updated.”

Results for the 2015 DJ Awards in Ibiza

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Jose Pascual hosted the first DJ Awards back in 1998, and throughout the years the purpose of the DJ Awards is to celebrate the impact and contributions of artists in the realm of electronic dance music. World-acclaimed talent descend upon Ibiza every year at the conclusion of the summer party months for accolades at the DJ Awards; each genre awards artists based on popular vote across social media platforms, and the award comes in the form of a kryptonite piece, a portmanteau symbolizing the “code and mystery of life” juxtaposed with the nightlife and its culture. The results are in for this year’s 2015 DJ Awards in Ibiza. Check out who made it to the top.

Deep House: Solomun

Newcomer: Cuartero

Breakthrough in association with Mixcloud: Black Coffee

Tech House: Luciano and Hot Since 82

Electronica: Disclosure

Electro/Progressive House and International DJ: Hardwell

Techno: Carl Cox

Trance: Armin Van Buuren

Bass: Hannah Wants

BEMF Showcases Widely Eclectic Lineup for the November Festival

bemfbannerBrooklyn Electronic Music Festival is no stranger in curating an eclectic variety of up-and-coming talent for their annual weekend showcase. The 8th BEMF will take place from November 5-8, and the lineup will feature notable artists like Armand Van Helden, Daniel Avery, Julia Govor, Masters at Work, Matrixxmann, MK, and many more. Like Movement Electronic Music Festival in Detroit and Decibel Festival in Seattle, BEMF provides resources and activities for both fans and industry people alike in order to propagate broader interest and active participation in the electronic music scene.

There will be daily discussion panels, a pre and after-party alongside two days of music festivities, and after-hours programming.

For more information about Brooklyn Electronic Music Festival, visit their official site. Festival passes go on sale tomorrow (September 25) at noon and can be purchased through Ticketfly.

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RESET 6100 Urban Sports, Arts, & Music Festival returns to Bacolod City

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RESET 6100 Urban Arts & Music Festival has officially announced their date and venue for this year’s return in Bacolod City, Philippines. On May 30th, 2015 the city of smiles will RESET at the EAT DISTRICT, LACSON ST., BACOLOD CITY at the old Coca-Cola Plant, an indoor/outdoor venue that will hold 5,000 expected attendees. The annual end of Summer festival is aimed to give people one last celebration before Summer season ends in the Philippines (Summers in Philippines are between the months of March-May).

RESET separates itself from other festivals by featuring various activities beyond the music. RESET incorporates urban sports and arts in addition to music that showcases eclectic and underground talents; an unconventional approach compared to any festival gathering currently taking place in the Philippines. Read more