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Fire On the Dancefloor, Hilit Kolet Debuts on Defected Records

DJ to some of London’s most exclusive nights, a classically trained musician and long-time face of Soho’s legendary Black Market Records, Hilit Kolet is the need-to-know artist ready to take the world by storm. Tel Aviv born but a Londoner through-and-through, Hilit has now revealed her debut production ‘Techno Disco” with house music institution Defected, a jacking, club-ready cut prepared to set dancefloors alight, from an artist who defies easy classification.

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Sam Divine Defected Records

Love at First Sound, Sam Divine on How Defected Records Captured Her Heart

Known as the First Lady of Defected Records, Sam Divine has been making crowds dance for the last 20 years. Her love for the dance floor has carried over nicely onto the airwaves where she’s been presenting the label’s radio show for nearly 10 years. How did she go from a fan to one of Defected Records’ most recognizable faces? “You have to take risks, be knocking on doors, and have really really thick skin,” says the self-taught DJ. Sam Divine’s grit is a measure of success.  Having unexpected time off the road, she shares how these disruptive times have helped her kick open the door to new habits. She also talks about the changing landscape of women behind DJ decks and the importance of forging your own path as an artist. Read more

Where Love Lives

[Exclusive Interview] Glitterbox “Where Love Lives” Documentary

Think back to when you first stepped on the dancefloor for the first time. How did you feel? Did you feel nervous? Anxious? or
 liberated?

Glitterbox, a promoter imprint of Defected Records, explores identity and liberation in their new documentary Where Love Lives: A Story of Dancefloor Culture & Expression. The Glitterbox ambassasors — Lucy Fizz, TeTe Bang, & The MX Fit shared some personal thoughts about their participation in an exclusive feature for 6AM.

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Defected Records' Wez Saunders

Defected Records’ Wez Saunders “We Owe Everything to Our People”

Defected Records’ Wez Saunders and his team managed to pull off a 12-hour virtual music festival in under one week. Despite recent blows to the live events industry with the global outbreak of COVID-19 Defected Records wasn’t about to let the music stop. In fact, it’s kept pumping life into house music for the past 20 years. “The passion and commitment to what we do (from the community) [are] unquestionable,” said Defected Records managing director Wez Saunders. “As such, we owe everything to our people.” Its dedication to the music community stands as strong as day one. The Defected Records Virtual Festival is a sign of the unwavering commitment to music and its community.

“During these unprecedented times, there is a fine line between panic and prudence. We aim to be prudent. It is time for Leaders to be decisive. We will be decisive and resilient. We will remain honest and do everything we can to ensure the wellbeing of the people – for our families, our friends, staff, our DJ/producers, our community, right across the entire Global population.” – Defected Records’ Wez Saunders

House Music All Life Long

The independent U.K. record label has welcomed some of the finest acts in house music for the last two decades. With 15 sub-labels under its umbrella, it has something to soothe every house music lover’s soul. They’ve grown beyond the sweet sonic sounds. Their label offers clothing and merch as well as produces festivals and events.

Dennis Ferrer, Todd Terry, Sam Divine and Kevin Saunderson have all released tracks under the powerhouse label, and some even host weekly radio shows. CamelPhat & Elderbrook and Josh Butler also form part of the family with their respective releases. Who can forget the 2017 hit “Cola” or the luscious, soulful track “Feels Good.”

Wez Saunders, Defected Records Managing Director

The Defected Records Virtual Festival

The Defected Virtual Festival is a continuation of their digital efforts for their online community. “[We’re] offering the opportunity to engage with our brand and each other from the comfort of [people’s] homes following the postponement or cancellation of all live events from mid-March through to May due to the outbreak of the virus,” said Saunders. 

“For our community, we decided early that we will continue to create and provide content, continue to demonstrate our vision and purpose, and to provide a service through the medium of music; be it records, playlists, radio shows or other. We are still here. We are still here for them.” – Defected Records’ Wez Saunders

Broadcasting from London’s iconic Ministry of Sound, the virtual music festival started at 12pm and ended at 12am. Monki, Low Steppa and The Shapeshifters were a few among the stellar line-up. It finished with a b2b2b2b2b2. Glitterbox dancers complemented the energy from the uplifting house music from each DJ set. (Disclaimer: Safety first. Everyone adhered to the social distancing recommendations during this time).

“We had no problem programming 12 hours of house music as our DJ/producers understood the need to provide a chink of light during these very dark times,” shared Saunders when asked about bringing this idea to life. “The concept for Defected Virtual Festival came from a wish to bring together house music lovers under our mantra In Our House We Are All Equal. While unable to travel or tour, our team led by owner Simon (Dunmore) knew we needed to think outside the box.”

COVID-19 and Its Impact on the Music Community

Artists have canceled tours, and event organizers have either postponed or canceled music festivals. “Now, in March 2020, as the number of cases that have contracted COVID-19 exceeds 200,000 people, and hundreds of millions more have entered into self-quarantine or self-isolation across the world with the intention of helping to restrict the rapid spread of the virus, the need for positivity has become more important than ever.” said Saunders.

“There is so much opportunity here – adversity always causes creativity to flourish.” – Defected Records’ CMO James Kirkham

Defected Records’ CMO James Kirkham also weighed in on the current events and adapting to shifting times. So what marketing initiatives should labels, artists or anyone in the music industry be taking? “It is all about recognizing a modern fan. They’re multi-faceted, multi-versed, multi-dimensional with many passions and crossovers. They’re culturally curious, worldly-wise and want passions like music to be a passport to other cultures. We need to play on this,” said Kirkham. “So in this time, perhaps we will enter a new era not of lazy badging of music but instead close proximity to artists, exploring personalities and characters. We might see more ‘intimate’ ideas where small amounts of fans get ‘closed’ audiences with their favorite artists or DJs, finding out more about them as people. There is so much opportunity here – adversity always causes creativity to flourish. It is a fact.

James Kirkham,

James Kirkham, Defected Records CMO

As far as how we, as a collective, can support our favorite artists during these times, and consequently the labels that house the music that moves us? “Continue to consume music as you always have. Use it to pick you up, motivate you, distract you, feed your emotions – never change that,” said Saunders. “Just because (for most) you can’t go out, doesn’t mean you cannot consume music. Carry on supporting your favorite artists and labels in all the ways you always have done across social media and streaming services. It will be invaluable.”

Connect with Defected Records: Facebook | Instagram | SoundCloud | Website | YouTube

Traxsource Founders Brian Tappert and Marc Pomeroy Talk Jazz-N-Groove and Defected’s Relaunch of Soulfuric Recordings

Brian Tappert and Marc Pomeroy, aka Jazz-N-Groove, have been working together making waves in the world of dance music since their union in the early ’90s.

Their world famous productions as Jazz-N-Groove, Soulsearcher, UBP and Cleptomaniacs, their much loved Soulfuric record label brand and the creation of one the first music download stores, Traxsource, are just some of their enormous contributions to the scene. As Defected Records take the baton and re-launch Soulfuric Recordings some 20 years since it’s initial inception, they’ve also invited Jazz-N-Groove to dig deep into their musical vault and create the latest installment of Defected’s “House Masters” compilation series.

6AM grabs a very rare and insightful chat with these two Jazz-N-Groove trailblazers!

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Q&A: Defected Presents Franky Rizardo In The House

Long tipped as an artist to watch, Franky Rizardo has of late firmly established himself as one of house music’s leading lights. With a weekly national radio show in his homeland and a touring schedule taking him across Europe, the Americas, Australasia and beyond, the unassuming Dutchman’s reputation has snowballed with every release, culminating in his recent smash ‘Same Man’, a stick of devastating dance floor dynamite with an unmistakable hook which has tenaciously topped Beatport’s tech house chart for several weeks. Now, his stunning contribution to Defected’s ‘In The House’ mix series cements his position alongside some of the world’s greatest DJs.

Defected presents Franky Rizardo In The House is built upon the firm foundations of Franky’s own productions, including ‘Same Man’, ‘Keep Cool’, his rework of Roger Sanchez’ ‘Morning Prayer’ and a host of brand new tracks and exclusive remixes. Cuts like ‘Work It To The Bone’ and ‘Crazy Day’, and his remixes of chart-topper Jax Jones’ ‘House Work’ and rising starlet Anabel Englund’s ‘London Headache’ – all exclusive to this compilation – typify Franky’s ability to pair infectious vocals with driving dynamics. With an ear for tomorrow’s timeless classics, like Laolu’s remix of Dele Sosimi Afrobeat Orchestra ‘Too Much Information’ and Midland’s ‘Final Credits’, Franky also shows off his technical ability, mashing up numerous tracks and accapellas across the two carefully-constructed 70-minute mixes. The result is a compelling collection of contemporary house music, brought together by one of the world’s most exciting proponents of the genre, and available for pre-order it here.

6AM spoke to Franky right in the middle of a World Tour that is seeing him visit Australia, Asia, the U.S. and of course Europe:

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