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blockchain ticketing

Ticket Fraud: Is Blockchain the Future of Ticketing?

Imagine you are trying to buy tickets to a sold-out show. Your only option is to buy on the secondary market. You bought the ticket for three times the face value and there are no guarantees the ticket you bought is actually a valid ticket. It’s now the night of the show and you get to the door, and your ticket doesn’t scan. This type of fraud (ticket scams) is the worst feeling for any music fan. You cannot get into the show, and even worse, you cannot get your money back from the scammer because they have disappeared. How does the music industry combat fraud at this point? The answer may actually come in the form of blockchain ticketing.

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Opinion: Stop Taking Long Videos at Shows, And Tell Others To Stop Too

Let’s admit it. We’ve all done it. Even this person who’s writing this piece at the moment. We’ve likely all taken our camera out at concert or performance we’ve attended.

It may be a photo, at the least, or a video that lasts for a few seconds. Nothing wrong with those, to most. But lately, we’ve noticed things have gone way too far. Just take a look at almost any video of any major electronic music show posted on YouTube and you will see tens if not hundreds of phones up in the area taking videos.

Honestly, this is becoming a case of mass idiocy. Of course, some of you may say people are free to do whatever they want as long it does not harm the subject they are filming. But the problem is this adversely affects artistic substance and degrades the whole music experience that these performances provide. These people are busy taking part in the concert and living it, while others are somewhat killing the atmosphere and the fun. Some people think these performances as something like a cheap souvenir, a social media prize to be showcased to the world, rather than something to be experienced viscerally and joyfully. It is like going to Venice and just thinking about buying the plastic gondola or the sailor cap worn by the gondolier instead of relishing the journey itself. What kind of tourist would that person be?

It is all about respecting the atmosphere of the concert or DJ set and appreciating the talent and artistry the performers provide. Not giving that due respect reeks of idiocy, one that threatens the sanctity of music itself.

We were all guilty of it, so that’s all in the past. I did it. You did it. We all did it. But now is the time to put an end to this practice. It is time that we end this bad custom that is detrimental to music. The freedom of an individual ends up where the freedom of another begins. The truth is that allowing long filming of DJ sets on cell phones kickstarts a slippery slope that can have no end, a myriad of cell phones up in the are an the vibe of a performance lost amidst all the bright screen lights shining all around. And that is without even touching on the subject of those who aren’t level-headed enough to turn off their flash before filming in a dark room, the biggest “no-no” of them all.

Most events have professional photographers and videographers ready to capture the moments for you, all the while you get to enjoy what you’re there for: the music.

So the next time you see someone in front of you holding their phone up for more than twenty seconds to film a live or DJ set, kindly ask them to stop and let the music experience be given greater importance.

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The Concert Ticket Industry is Still in Chaos

As far anyone can remember, the ticketing process for music events has long been a problematic one. Sadly, it has only gotten worse over the years, even with the available technology that, supposedly, should be able to address these issue effectively.

A recent article published in Vulture shed a spotlight on this longstanding issue and how it has adversely affected not only the ticket vendors and event promoters, but even the artists themselves. As such, the continuing debacle raises important questions that need to be addressed. Why do artists still have to comb through their own tickets sold to determine their authenticity? Who is to blame for all this mess? And what have state and federal authorities done so far to prevent behaviors that prevent actual fans from buying tickets and, more importantly, how effective are they?

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Meet Steve Lieberman, the Production Lighting Expert Behind Coachella, EDC and Ultra Music Festival

Lighting and audio-visuals are an aspect of event production that can at times be overlooked or misunderstood. Nevertheless, it is an important element that can make or break any event, as well as the experience overall and the lasting brand image you hope your attendees leave with. Undoubtedly, extreme technical expertise and a sense of flair are needed to pull off such a spectacle.

This particular expertise is the specialty of people like Steve Lieberman, a notable production lighting expert for music festivals and similar productions. Steve has worked on the lights and visual design of hundreds of productions, including popular music festivals such as Coachella, EDC, Insomniac, and Ultra. His is expertise drawn from years of experience, beginning in the 1990s when he started working on lighting for underground rave parties in New York.

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Why Every Promoter Should Write an Event Business Plan (And How)

 

If you’re an event promoter you might be skeptical and think that making a business plan is unnecessary and just a waste of time when it comes to event planning. But you couldn’t be more wrong. Every promoter should write an event business plan to successfully put on a show whether it be a festival, nightclub party, or concert.

Most times, promoters treat each event as a hobby more than a business which eventually leads to failed shows. There is nothing wrong with loving what you do but everything that involves money and earnings should be planned accordingly in order to gain and not lose.

It almost always takes formal planning in order to secure your funds. If you are funded by capitalists, commercial banks, and even angel investors like private sponsors, it is your responsibility as a promoter to develop an effective event business plan. And if funds come from personal resources, it remains important to have a formulated business plan to follow in order to capitalize on your chances of success.

It can be a great help to keep track of your progress and financial status, including how the money goes in and out of your pocket throughout the whole duration of your event preparation as well as afterwards. It can also be used to develop a strategic plan for continuing events in the future and to bring investors, sponsors or partners on board.

So gather up your materials and jot down these quick tips that will describe the essential components of how you should write an event business plan:

Prepare an Executive Summary

The first page of your event business plan will be comprised of your executive summary. Consider it your event overview or outline. It will follow your title page, thus it has to be concise. Do not beat around the bush and clearly discuss what you aim for in the summary. Keep it short and formal.

The contents of your executive summary should contain the synopsis of your whole business plan. Especially:

  • Overall Concept – What kind of event are you throwing? Who are your target market? How will your event standout?
  • Important Financial Details – Focus on projected growth of income like your potential profits, event sales, return on investment, and cash flow. Furthermore, you must state the exact capital needed for your event and go into details on how it will be used.
  • Your Background – Provide a detailed information of yourself as the event planner/promoter or your company if there are other people involved. Briefly describe your history in event planning/promotion and who is responsible for putting the event business plan altogether.

Remember that when it comes to writing your executive summary, the shorter and more accurate your point is, the better. Be sure to let your reader immediately know what your capabilities and needs are.

Event Description

In this section, you can fully explain and elaborate the details of your event. Unlike the executive summary, this part does not have to be short but it has to be accurate.

Start with a short description of the event. Discuss present and future possibilities. Are you planning to have the same particular event if it turns out to be successful? Point out what makes your event standout. Emphasize unique concepts and ideas. This is crucial if you are seeking investments and financial supports. Your sponsors/investors will want to see your vision and know how dependable and trustworthy you are as a planner/promoter.

Moreover, you should mention how your event will likely be successful and what kind of support systems are being considered. These could come in forms of advertisings and promotions.

The event description statement should be enough to give the reader a clear and definite idea of your objectives.

How Will You Earn?

State why your event is going to be profitable. How will you attract potential attendees? What forms of advertising will you use and how much budget did you set for each. Also explain your pricing techniques and available ticket options and never forget to provide a financial breakdown for all your target goals.

Remember to sum up all your costs before strategically planning your ticket prices. Include both direct and indirect costs and be careful not to overprice or underprice your tickets. Correct ticket pricing can greatly affect your potential event income.

Promotion Strategies

As an event promoter, this is one of the crucial steps that you have most likely mastered. Promoting an event is hard but if you are organized, it can be easy as a breeze. Event promotion is just a matter of controlled distribution of communication in order to sell tickets to potential attendees. To attain this goal, communication efforts must be utilized. This includes:

 

Risk Assessment

There will be risks associated with your business event plan. Each of them should be assessed and addressed. These risks may involve areas in marketing procedures, personnel requirements, finances, management and operations, facilities, etcetera. By identifying each problem and giving a possible solution to them during your event developmental period, you will lessen your fears with regards to event preparation and those of your investors too.

Appendix

This will be the section of your event business plan that will feature all your supporting documents. From payment receipts to bank statements and inventories. You can also use this part to write down any additional information such as your event policies and reports.

Good-luck-is-the-result-of-good-planning

These are just a few steps to get you started. If after reading this article you still feel lost on how you should write an event business plan, do a quick search online for hundreds of business plan templates to choose from.

Don’t worry on how many pages your event business plan is, as long as you make sure that its contents are rich and useful.

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Is Apple Going To Block iPhones from Recording Live Concerts?

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Is it ok to spend time at a club, festival or concert with your phone in the air, taking constant pictures and videos of what’s happening on stage or behind the decks? People are divided on the subject, with some thinking that such use of cellphones disrupts the atmosphere (and views) at a show, while others think it’s their prerogative to do what they want for a show they paid money to attend.

But what if that prerogative didn’t exist? That may be the case soon with the latest patent awarded to Apple! The technology would allow Apple to activate specific data transmission protocols in conjunction with partnering venues to ensure that your iPhone camera is blocked from taking pictures and videos when held up to the stage. In order to do this, it will tap into infrared technology to ensure that the camera is not functioning solely when pointed to designated areas.

Although the patent was last re-filed in 2014, it was originally first awarded in 2011 despite no specific plans to introduce the technology into upcoming generations of iPhones.

Apple Patent

According to FACT, the technology could have other uses too. Immediately it becomes obvious that it could be used to prevent the illegal filming of films in movie theaters, as well as photography in sensitive locations.

The technology could also be used for augmented reality purposes. As an example, the phone could be held in front of exhibits at a museum or art galleries, immediately becoming the recipient of applicable information via infrared on the item being featured.

Needless to say, as the patent belongs to Apple, this technology shouldn’t prevent Android users from taking advantage of their smart phone cameras when out at their favorite show.