Posts

Q&A and Global Vibe Radio Episode 057 feat. DJ Hyperactive

This week’s episode of Global Vibe Radio features one of techno’s OGs in the form of Chicago-born-and-bred DJ, producer and owner of 4 Track Records (4TRK) Joseph Manumaleuna aka DJ Hyperactive.

I have had the pleasure of meeting Joseph, or JoJo as he is affectionately known to friends, during my years working in Chicago’s techno and house industry. Prior to this interview I had last seen him on a cold Chicago night in February, when his good friend and fellow artist Moe Espinosa aka drumcell was in town to play at Spybar Chicago. JoJo played host at a wonderful BBQ dinner before an even better night of techno ensued.

Those versed in the history of techno need little introduction to DJ Hyperactive as an artist. His Resident Advisor bio describes him as one of Daft Punk’s “Teachers” and “brother of the humble,” his contributions and impact to the underground spanning three decades now and leaving a legacy that has not only helped shape techno in Chicago and the Midwest, but the entire United States and beyond. Growing up in Chicago in the early ’90s, DJ Hyperactive honed his skills as both a producer and DJ, receiving instant international recognition and subsequent touring gigs at some of the most recognized and revered venues and events of the last 20-plus years, including Orbit in Leeds, Liquid Room in Tokyo, Berlin’s iconic Love Parade, the game-changing Interface parties spearheaded by Droid Behavior in Los Angeles, Movement Detroit festival in the birth place of techno, Output in Brooklyn, techno meccas in Berlin such as Tresor and Berghain and of course at Smartbar, Spybar and Primary right in his home city of Chicago.

Over the course of his career he has churned out well over 100 remixes and original tracks, his catalogue including such instant classics as “Venus” and “Wide Open” on Missile, “25HRs” on Droid Recordings, “Music Box’ on his own imprint 4 Track Recordings, and more on imprints the likes of Contact, Truncate, Figure, Blank Code, Impact Mechanics, Nachstrom Schallplatten, and CLR, just to name a few. After a warming stint in Southern California, DJ Hyperactive returned to Chicago 2013 to reconnect with his family and musical roots.  His story continues with more gigs and more studio productions, with the difference being the experience and perspective that only a true veteran can possess.

We are honored to have him as guest of our 57th episode of Global Vibe Radio, which we present to you alongside an exclusive chat we had with him last week in honor of the recording. Enjoy the music and DJ Hyperactive’s wisdom below, full track list can be found at the end of the article.

Read more

Chicago’s Lollapalooza 2017 Lineup Features Zero House Music, Once Again

Lollapalooza’s 2017 lineup came out today and, surprise surprise, it contains zero house music acts.

Chicago’s role in the foundation of house music during the 1980s, and its subsequent influences on all other genres and sub-genres of electronic music since, is well known. A first descendent of disco, house music found its beginnings in Chicago, thanks to the iconic parties that featured the music of pioneers such as Frankie Knuckles, Leonard Remix RRoy, Chip E and of course Farley “Jackmaster” Funk. House music became popular in Chicago clubs in 1984, quickly spreading to other American cities such as Detroit, New York City, Baltimore, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia.

Yet, Chicago’s biggest music festival, Lollapalooza, fails year in and year out to feature any adequate amount of true house music, if any at all. Understandably several facets of rock music are represented en masse, as well as rap, hip-hop and pop and while the lineup does include some great Chicago artists, one of the city’s most recognized genres of music remains grossly underrepresented.

Read more

Smartbar Chicago Will Host Series of Workshops With Focus on Women in Music

Last month Chicago’s Smartbar, the famed clubbing institution that has been running in the city’s Northside for over 30 years, announced the return of its Daphne series with a list of club nights featuring some of the best dance music talent in the world.

Smartbar has hosted Daphne events in the past, club nights focused on representing the role of woman-identifying and genderqueer artists in the electronic music industry. So while not totally new, the upcoming Daphne: A Women’s Movement In Dance Music is a month-long festivity that continues with that same mission, but does it tenfold within a shorter period of time.

On top of the club nights already announced throughout the month of March, with artists like Nina Kraviz, The Black Madonna, Cassy, Octo Octa, Honey Dijon and more all scheduled to play, Daphne and Smartbar will also be holding a string of workshops open to the public and participants of all skill levels. The workshops will address topics such as artist promotion, DJ mechanics, queer religious figures and more.

See the below flyer for full details:

 

daphne workshops

 

 

Q&A and Premiere: Tunnel Releases “Rave / Movement” Double EP on Webuildmachines

Tunnel is a Chicago producer, DJ, label-head and Noisefloor party curator that has been sculpting a new wave of techno in Chicago — a city best known for its house music roots and legacy.

Unlike many other DJ and live acts, Tunnel exclusively performs his own original material or that of the ever-growing electronic music label he launched in 2013, Webuildmachines. The imprint has been the home of some fantastic releases, with support and high praise from established members of the techno community the likes of  Paula Temple, Dave Clarke, Surgeon, Ben Sims, Tommy Four Seven, drumcell, Electric Indigo, and Claude Young. A Tunnel original track was also featured on Richie Hawtin’s Essential Mix recorded live at Exchange in Los Angeles last year.

Read more

Smartbar Chicago Announces All Women March Lineup with Heidi, Nina Kraviz, Jane Fitz

daphne2017As one of the most inclusive venues in our community, Smartbar presents Daphne: Celebrating Female-Identifying Non-Binary Artists with an all-female lineup for the third year this March (Women’s History Month).

The first weekend will host Elysia Crampton (live) on Friday, March 3rd; and Heidi on Saturday, March 4th.

The second weekend begins with T. Mixwell on Thursday, March 9th. After more than four years, the return of Nina Kraviz on Friday, March 1oth; and Jane Fitz, Volvox on Saturday, March 11th.

The third weekend with Brooklyn based Octo Octa (live), Lady Blacktronika on Friday, March 17th and an all night set by the one and only, The Black Madonna on Saturday, March 18th.

The fourth weekend with Smartbar residents Sassmouth, Jarvi on Friday, March 24th and Cassy, Honey Dijon on Saturday, March 25th.

The fifth and final weekend begins with Neon Falls with Eris Drew (live) on Thursday, March 30th and closing out duties by Lake Effect with K-Hand on Friday, March 31st.

Smartbar has consistently supported and welcomed woman-identified and non-binary artists. They also identify them as the leaders they are through triumphant efforts for a diverse community.

“We work hard to place woman-identified and non-binary artists in positions of leadership in our club on a consistent and ever-increasing basis.

Women have been central part of the architecture smartbar’s residents program for almost 20 years—long before equality in dance music was a hot-button topic.”

They continue to spread the message of learning and growing together, which is critical to our progression on the matter.

“We welcome everyone to participate, learn and grow with us through the series which will feature both club events and workshops.”

You can purchase tickets here.

Full Lineup:

Daphne2017

Facebook announcement:

Win 4 Tickets to Booka Shade’s Movements 10 Tour at Concord Music Hall Chicago

Booka Shade Live

Berlin-based duo Booka Shade (Walter Merziger and Arno Kammermeier) have carved out a reputation as one of the most celebrated electronic acts to come out of Europe over the past two decades.

They are right now touring North America in support of their Movements 10 album, an LP that reimagines their iconic album released a decade ago, and we are giving you the chance of seeing them at Chicago’s Concord Music Hall on Thursday December 1st.

Simply follow the instructions in the widget below to enter our giveaway for four tickets to the show. The winner will be selected and announced at noon on Wednesday, November 30th.

Please note: If you are having difficulty opening/entering this contest via cell phone, try the following:

    1. Open this link directly on Safari or another designated web browser (not through the FB or Twitter apps)
    2. If the above fails, try via desktop computer.

Win 4 Tickets to Booka Shade (Live) at Concord Hall Chicago (Contest on Hive.co)
If you enjoyed this giveaway, sign up for our newsletter to learn more and to stay up to date with 6AM’s news and features on the world of electronic music.

Q&A & Global Vibe Radio: Jeff Derringer and Oktave’s 7 Year Anniversary

 

Next week Chicago’s Oktave is celebrating 7 years at the forefront of the ever-changing landscape of techno. In an industry that sees clubs open and shut down in the span of a few short years, only a few venues and parties stand the test of time to remain open past the 5 year mark and beyond. The fact that Oktave has done so in a city with heavy focus on house music is but a testament to how well it has been curated over the years.

Read more

Win Tickets to see Dubfire, Jamie Jones, Guy Gerber and more at Freaky Deaky 2016!

Dubfire and Pete Tong at last year's Freaky Deaky. Photo by Da Black Swan.

Dubfire and Pete Tong at last year’s Freaky Deaky. Photo by Da Black Swan.

This coming Halloween weekend will mark the return of Freaky Deaky as a three-day festival, following its successful expansion in the fall of 2015.

Hosted at Toyota Park on the outskirts of Chicago, the React Presents festival promises to increase the impressive production of last year while continuing to showcase an eclectic selection of artists spanning multiple genres of electronic music and beyond.

As part of that mission, the festival will feature two days’ worth of house and techno at the Crypt Stage. On Saturday it will be up to MK (Marc Kinchen), Brodinski, Kill Frenzy and Claptone to represent the underground before giving way to Dubfire’s headlining performance, set to feature his live hybrid set in the Chicagoland area for the first time ever. On Sunday it will be the turn of Jamie Jones to headline the stage, with Guy Gerber, Lee Foss, Ardalan and Gene Farris all billed before him.

We have teamed up with React Presents to offer you the chance of winning 2 (two) GA tickets to this year’s Freaky Deaky. To enter, simply follow the instructions in the widget below. The winner will be selected and announced at noon on Thursday, October 20th.

Please note: If you are having difficulty opening/entering this contest via cell phone, try the following:

    1. Open this link directly on Safari or another designated web browser (not through the FB or Twitter apps)
    2. If the above fails, try via desktop computer.
    1. Win Tickets to see Dubfire, Jamie Jones, Guy Gerber and more at Freaky Deaky 2016! (Contest on Hive.co)

Live Performances of Rock, Country, Rap and Electronic Music Do Not Count as “Music” or “Culture” According to Cook County

EvilOlive

In an official hearing today, a Cook County official reinforced the county’s controversial position on what they consider “music” and “culture” by stating that live performances of rock, country, rap and electronic music do not fall under those two categories.

While the position seems shocking to say the least, it comes as an attempt by Cook County – which containing the City of Chicago is the second-most populous county in the United States after Los Angeles County, California – to enforce small venues to pay a 3% amusement tax on all ticket sales and cover charges. While at first the position by officials arguing the case was that small venues featuring DJs and electronic music were not exempt by that tax, Anita Richardson, the hearing officer appointed by the county inferred today that only venues that booked small chamber orchestras, symphony orchestras, or operas should be entitled to the tax break. In her opinion, venues that play other music should have to pay up.

“Rap music, country music, and rock ‘n’ roll” do not fall under the purview of “fine art,” she stated.

The county is going after several of Chicago’s small venues such as EvilOlive and Beauty Bar, who both feature electronic lineups weekly, in an attempt to collect back taxes of up to $200,000 including interests and penalties for the past six years. The specific county code in question states that smaller venues with capacity of 750 or less are not liable to pay the tax as  long as any cover charges or admission fees are for “in person, live theatrical, live musical or other live cultural performances.” The code goes on to describe and define live music and live cultural performances as “any of the disciplines which are commonly regarded as part of the fine arts, such as live theater, music, opera, drama, comedy, ballet, modern or traditional dance, and book or poetry readings.”

Cook County Commissioner John Fritchey says the county’s language “harkens back to the days of the 1950s when rock ‘n’ roll wasn’t considered music.” He adds, “No pun intended, but I think the county is being tone deaf to recognize opera as a form of cultural art but not Skrillex.”

At a hearing scheduled for October 17 the two aforementioned Chicago establishments will present evidence, including live music and testimony from a musicologist, in an effort to budge the hearing officer from her opinion regarding the cultural value of DJ performances. It appears that both venues are simply test cases for the country, a first attempt to see if it can wring any more tax revenue from the city’s live-music industry.

It seems far-fetched that a county that represents the city which gave birth to house music and has had both a street and day named after Frankie Knuckles and his legacy of house is failing to recognize the cultural and artistic value of not only electronic music, but other such diverse genres as rap, rock and country.

H/T: Chicago Reader

Mamby to Bring Tale of Us, Loco Dice and Seth Troxler to Chicago’s Lakefront

MambyBeach

Last year React Presents – Midwest’s largest dance music promoter – inaugurated Mamby On The Beach on the shores of Lake Michigan.

The idea was different than the rest of the festivals in their portfolio: rather than focusing on EDM and jam bands, Mamby booked indie, electronica and house artists the likes of Empire of The Sun, James Murphy of LCD Soundsystem, Passion Pit, Art Department, George Fitzgerald and Route 94 and placed them on Oakwood Beach in Chicago’s South Side. For the first time in three years the City of Chicago had another beach festival to look forward to.

This year, the two-day festival will take place July 2nd and 3rd with three large full production stages, and an even bigger lineup to boot. Main Stage headliners include electro-soul artist Chet Faker, underground rap favorites Atmosphere, funky duo Chromeo, the iconic Santigold, experimental pop-rock band Animal Collective as well as other live acts such as Lupe Fiasco and Tycho.

The DJ tent will be just as stacked with talent. Life & Death favorites Tale of Us will be joined by Loco Dice, Seth Troxler and Black Coffee, with Chicago talent representation coming from Derrick Carter, The Black Madonna and Gene Farris. 

See the complete Phase I line-up below.

MambyPhaseI

 

General Admission and VIP passes are available now at mambybeach.com.

Connect with Mamby On The Beach: Online | Facebook | Twitter | Instagram