The numbers are in folks. The people have spoken as to who the world’s “Top” DJ is, and your new champion is none other than David Guetta. The DJ whose notorious 2014 Tomorrowland moment still gets talked about to this day. Regardless of whether or not you agree with artists on ranking lists, their popularity probably came from their tracks, not their DJing skills. Even within their own fanbase, there are probably very few fans that go to these massive shows or festivals and say âHey did you hear how he mixed the outro of his hit song into the intro of his other hit song? That was vibes.â There are many issues with a DJ ranking list such as the Top 100 DJs list, and Iâm sure many people already agree that it only hurts our dance community. However, what are the various reasons why such a list is wrong, and what are the multiple possible ways it can hurt our community?
Before we can continue, we have to establish what qualifies as a âDJ.â Believe it or not, a lot of people, even within our own community are not 100 percent sure. At the bare minimum, according to the literal definition of âDisc Jockey,â and the way the term was used since its inception, is âsomeone who plays pre-recorded music for the public to listen to.â With this simple bare-bones definition, the artists on these DJ ranking lists are in fact, true real DJs. However, I wouldnât call myself a world-class lionâs tamer just because I walk my cat on a leash.
Especially with the progress of techniques and technology, DJing has evolved into an amazing multi-faceted art form. Just like all forms of art, there are different levels, different means of expression, and a lot of subtlety in techniques along with a lot of obviously complicated and flashy techniques. There are different techniques and mediums of DJing such as vinyl, CD decks, laptops, and believe it or not, there are even DJs on tape decks.
Even if a DJ doesnât do crazy turntablist techniques like displayed at the DMC World Championships, you can still be considered a great DJ just by song selection alone. That being said, how do these rankings currently determine who are the top DJs in the world when there are so many variables to being a DJ? Rankings can become extremely reductive of DJing as an art form. DJ Mag’s annual round-up consists of an open online poll while djrankings.org use factors such as fees, online polling, social media presence, etc. No technical metrics are used, no skilled judges are involved, no technique competitively judged one against the other. Essentially what it comes down to is just a plain old popularity contest. How does this help anyone, particularly DJs?
These lists completely leave out artists who are able to put on a great show with amazing technical ability but donât have massive shows. Even if the top DJs were in fact good at aspects of DJing, all itâs saying is, âHey everyone says youâre popular, so weâre going to put you on a list that says youâre popular.â Whatâs even the point?
Granted an “alternative” list was released by DJmag to better represent other genres and based on more quantifiable metrics such as Beatport sales. However, once again, that really just represents the success of the artist as a producer and not necessarily a DJ. Even with this list, it continues the unfortunate confusion with âDJâ and âproducerâ and does a disservice to the artistry of DJing.
Of course, there are a ton of DJ/producers, many of which excel at both. However, there are a lot of people who only do one or the other. The general public probably doesnât know the difference, and when they hear âDJâ they wonder more about track selection and not about the actual art of DJing, or for that matter, how good the person is at it.
Now, this isnât really going to ruin someoneâs life at the end of the day, but do we really need more confusion out there?
These lists are even harmful to the DJs who do make it into the top 100 and are popular. If you read through the description of each DJ in the list, it doesnât talk about what aspect of DJing they are known for but the success of their music and tracks. Not to say that those accomplishments shouldnât be praised or highlighted, but once again producing tracks is a different art form than DJing. For example, Carl Cox who is ranked at 27, isnât really known for his tracks but his DJing and stage presence. However, there is no mention of his great DJing skills in his bio.
Can other DJs on this list mix like Carl Cox? Maybe, but thereâs no mention of it anywhere or a display of their talent that got them their rank. All it says is, âHey there are 26 other DJs who are better than Carl Cox.â Yeah, not sure about thatâŠWho knows though, maybe David Guetta can in fact mix multiple decks, scratch, spin vinyl, etc. with higher technical ability than everyone else. However, there is zero mention of it. Even DJs who are widely respected for their skills can get hurt by a ranking that doesn’t have a good base for measurement.
Ranking DJs correctly is going to be a tough and maybe even impossible task. The art created by these performers is just that: a performance. How do you compare one performance to another and then rank it fairly? At the bare minimum, a set standard of performance metrics could be devised and then judged upon. Not that it’s the end-all-perfect system, but within DMC World Championships, there are multiple categories for people to compete in and demonstrate their skill sets. I’m sure even within that tournament world there are people who also say it’s too generalized or a popularity contest. Nevertheless, at least there is more of a breakdown of skill sets and what DJs are measured on. Sure the tournament does name an overall champion, but that is based on the multitude of techniques the DJ displays during competition. Once again, not to say that this tournament is the end-all and gold standard for judging DJs, but it at least gives a better idea of the complexity of DJing.
There really is no perfect way of ranking a performance form such as DJing. However, the current lists that are out there really just hurt everyone and create more confusion. People within the DJ and dance music community who are fairly well versed will not be seriously affected by this list, but it might leave them a bitter taste. However, for the general masses and not as well-informed party goers, this can influence their perspectives and choices in an unfair and incorrect manner.
Maybe not the best example of the issue of ranking DJs but when Idris Elba showed his DJing chops, he himself had a look of discomfort when introduced as âone of the worldâs finest DJs.” Check it out in the video below.
That look and hesitation he gave, probably represented his experience with DJing and knowing how complex and deep it can go. To be truly a world-class DJ isnât something that can easily be captured by a list and definitely not just one or two lists without the appropriate definition or explanations. DJing is a true multifaceted art form that many take seriously and has evolved from just âplaying pre-recorded music for the public.â
