After a break from releasing music for nearly 10 years, New York producer Kevin Hedge from the legendary house duo Blaze is back with a brand new single, ‘Reach For The Stars’.
6AM checks in for a rare chat with Kevin Hedge about his new release, Blaze, his time running West End Records, and more…
Hi Kevin, it’s a pleasure to chat with you today, how are you?
We (my family and myself) are well, we have come through this unprecedented moment in world history physically, mentally and spiritually splendid!
Who or what first turned you on to DJing and producing music?
As a kid, I was always a fan of music however, I attended a talent contest in my elementary school, circa1976, and I saw a local DJ spinning records and I became hooked when I felt the joy his performance generated. Writing and producing came later born out of the passion for music and the desire to see people enjoy themselves.
Who did you listen to growing up and do they influence your productions at all today?
You know I loved all the greats from Stevie Wonder, Earth, Wind and Fire, Curtis Mayfield to Sting even Frank Sinatra. But, if you have ever heard a Blaze production there is no doubt Maurice White and Charles Stepney are major influences.
For over 25 years you had an incredible music career with Josh Milan as Blaze, penning many now classic dance music hits from Delacy’s ‘Hideaway’ through to your own Blaze releases like ‘Most Precious Love’ feat. Barbara Tucker, among others. What is your own personal favourite Blaze release and why?
(Laughs) That’s like trying to pick a favorite child. I am proud of everything we have done as Blaze. If I had to pick the one release that symbolize the full spectrum of Blaze musical approach, I would choose “Found Love”. It’s the culmination of the experience we had gained up to that time.
Why are you not working together with Josh anymore?
This is hard, to me there is two parts to this answer professional and personal. From my professional perspective I feel I became so involved and busy running the many different businesses I was invested in, that maybe my communication was not clear and inclusive. While still writing, producing and performing as Blaze many other opportunities of interest, came to my attention. Ventures that included Nightlife, Record labels, Artist management, Event Promotion, Venue administration, Transportation, and Realty began to share the equity in my mental focus. Therefore, my sole focus was not the studio and maybe my communication in expressing my priorities was unclear. And we all know miscommunication creates misunderstanding.
In 2002 you became co-owner of the legendary West End Records, originally set up by Mel Cheren and Ed Kushins in 1976 and home to disco anthems such as “Heartbeat” by Tanya Gardner and “Is It All Over My Face” by Loose Joints. What was it like working at the label and what was your biggest triumph there?
As I stated before I was enthusiastic about becoming a Label Manager (I like to call myself an Intellectual Rights Executive lol). The long story short Mel and I had become friends from the club. He said liked me and felt I was good at business, from the way I managed, promoted and marketed the Night Club, also he was aware of the success we where having as Blaze. He initially contracted Blaze to produce some remixes, then we partnered to produce some events. At the time, Mel controlled the rights to the Paradise Garage brand so we promoted throwback style “Garage Parties” together.
Also at this time I was involved with the SHELTER night life organization, I saw this as the perfect opportunity to marry the GARAGE brand to the SHELTER brand. After some coaxing from Mel, I first took the job to work with the label then eventually, I would become a partner in the label. The best work I did at the label was to mine the value of the Copyrights both masters and publishing. We created an easy clearance system that would make it easier for entities to license our catalog for new uses.
So what happened to West End Records in the end?
My great friend and partner passed away and his half of West End was left to some relatives of his. Needless to say they were not music business people and would never understand what it takes to be in this business. Eventually West End was sold to another intellectual rights company. I’m proud that because the work my team and I put in the catalog was sold for a fair price!
What’s your take on the current disco music explosion?
I’m excited about all that happening in the business now. Music has never enjoyed this many outlets in it’s history. Also, the techonolagical advances have allowed for participation by many more creative sources.