This week’s guest mix for Global Vibe Radio features Octopus Recordings’ Michelle Sparks, and her brand of “forward thinking, futuristic techno music.”
Thank you for the mix Michelle, where did you put this together and what are you trying to tell listeners with it?
I recorded this mix live in my studio in Phoenix, Arizona. I always like to keep the groove going yet get some pretty freaky sounds moving in and out for kind of a high energy, mind-trip/spaced out vibe.
Any tracks you’d like to highlight in particular?
I’ve been really loving Shelley Johannson’s latest record “Your Body”, and I’ve also included my two latest tracks out on Octopus Black Label, “Force Field” and “Harajuku”.
You discovered electronic music in New York during your college years, but your career really took off in Phoenix. Are you still based in Arizona?
I am still based out of Arizona, besides the crazy hot summers, the rest of the year is so nice out here. The summers allow for me to hole up in the studio anyway, so it’s not all that bad.
Arizona isn’t usually a state commonly associated with techno, but the scene there is on the continuous rise with a lot of exciting talent coming through. What’s your relationship with the local scene there and where do you see it going in the next few years?
I feel like over the past 8 or so years electronic music, especially techno has really taken hold out here. When I moved back here from New York in 2008, dance music was just beginning to gain some steam, and there wasn’t a huge underground scene. At that time I started throwing techno events with a couple close friends, one of them being fellow label mate Juheun. We started doing our own events simply because that sound wasn’t even really represented at that time out here. Those events continued to gain in popularity over the years and certainly helped to cultivate the underground scene out here.
Recently I’ve been focusing more on making music in the studio and not throwing as many events, but theres a handful of promoters out here doing some really great techno events and keeping the scene going right now. I’ve got a few events that I’m planning to host later this year in Phoenix, and we’ve got so much great talent coming through Phoenix lately, I’m excited to see what lies ahead in the next couple years.
Your name is closely associated with Octopus Recordings. How did you and Graham (Sian) first connect?
Well we actually brought Sian out here to Phoenix to play for one of our events several years back and we kept in touch after that.
How has that relationship developed over the years? Are you just a label artist or what is it exactly you do with Octopus?
Sian always encouraged me to send over music I’d been working on, and when he moved to LA we had a lot more opportunities to catch up in person. I began helping out with some work for the label at that time and have been part of the team since in addition to being an artist on the label.
It’s a great group of artists and like minded people both in front of and behind the scenes and a really great team to be a part of.
Why Octopus? What does the label mean to you as far as its role within the worldwide techno scene?
I was listening to and playing Octopus tracks before bringing Sian out for one of our events, and the music really clicked with me. Everything the label was putting out even many years ago was forward thinking and fresh. The music really resonated with me at that time, and still does.
I think the label as a whole represents a sound apart from a lot of other music that’s out there, fusing a lot of raw warehouse type tracks with more emotive grooving records, and always pushing the envelope into unknown territory. The label has become a staple in the worldwide techno scene, and it’s awesome to see the community of artists and fans that has built around Octopus.
You’re playing the label’s showcase in Detroit this coming May, a party you’ve been involved with for the last few years. What’s so special about that night in particular and what can we expect this time around?
This is our